It’s been a little while since you heard those clanging sounds, but Stomp is back in Denver in all its explosive, syncopated glory, with its cast of incredible percussionists who treasure the old adage about one man’s trash…
The troupe still doesn’t look at everyday objects the way the rest of the world does. In its hands, brooms, garbage cans, Zippo lighters (we’re not sure about Grouchos and Harpos) and the general detritus of the 21st century take on a life of their own. Stomp, created and directed by Luke Cresswell and Steve McNicholas, is an exploration of the outer limits of rhythmic invention. It’s a Pipe (read drain pipe) and Drum (read anything) Corps for our age.
And speaking of age, it has not withered Stomp’s clatter—or fun. Stomp—a concatenation of sound and skill—is back with its rhythms and drumbeats intact.
The same goes for its nonstop movement of bodies, objects, sound—even abstract ideas. There’s no dialogue, speech or plot. But music? Absolutely. Uncommon music, created in nontraditional ways—with every day objects ranging from matchbooks to every household object you can conjure up. You’re bombarded by a caterwauling noise that under any other circumstances you would choose to shut out.
But not here.
Here all is syncopated and choreographed with the precision of an army bugle corps minus the bugles and by the fertile imagination of buskers or street performers from the streets of Brighton, England. Brighton is the place of origin—the spot where Stomp’s creators hail from and where they dreamed up this utterly inventive, unexpected, whacked-out show.
So sit back, relax, tap your feet, clap your hands. There’s only fun to be had here—no political statements, no dialogue to misconstrue, nothing beyond the sheer, surprising sights and sounds of the moment, from the ringing of hollow pipes to clashing metal weaving its spell, and industrial strength dance routines involving a lot of supremely well co-ordinated bodies.
Hold on fast to those hubcaps as you zip yourself downtown to swing along with Stomp!
STOMP, a unique combination of percussion, movement and visual comedy, was created in Brighton, UK, in the summer of 1991. It was the result of a ten-year collaboration between its creators, Luke Cresswell and Steve McNicholas.
They first worked together in 1981, as members of the street band Pookiesnackenburger and the theatre group, Cliff Hanger. Together, these groups presented a series of street comedy musicals at the Edinburgh festival throughout the early ’80s. After two albums, a UK TV series and extensive touring throughout Europe, Pookiesnackenburger also produced the highly acclaimed “Bins” commercial for Heineken lager. The piece was originally written and choreographed by Luke as part of the band’s stage show; it proved to be the starting point for STOMP’s climactic dustbin dance.
• 1991 — STOMP previewed at the Bloomsbury Theatre (London) and the Assembly Rooms (Edinburgh). Won the Guardian's “Critic's Choice” and the Daily Express “Best of the Fringe” Award.
• 1991-1994 — Played to capacity audiences around the world culminating in a sell-out season at Sadler’s Wells Theatre (London). Received an Olivier nomination for “Best Entertainment” and won “Best Choreography in a West End Show.”
• 1994 — STOMP began its run at the Orpheum Theatre (New York). Won both an Obie and a Drama Desk award for “Most Unique Theatre Experience.”
• 1995 — Two US touring companies were formed.
• 1990s-2000s — STOMP has been featured in or created the Tank Girl movie soundtrack, Quincy Jones’ album “Q’s Jook Joint, ” Showtime’s Riot soundtrack, commercials including Coca Cola’s “Ice Pick” and Target, Nickelodean’s “Mr Frears’ Ears,” “Brooms,” the Academy Awards, HBO’s “STOMP Out Loud,” Sesame Street’s “Let’s Make Music” special, and the PULSE: a STOMP Odyssey IMAX movie.
• 2002 —Entered London’s West End at the Vaudeville theatre and performed as part of the Royal Variety Show for the second time.
• 2004 — New York celebrated 10 years of continuous performances of STOMP at the Orpheum Theatre by renaming 2nd Avenue at 8th Street: STOMP Avenue.
• 2006, STOMP’s New York production passed its 5000th performance mark.
• 2007 — The original creators were asked to create and produce the Lost and Found Orchestra, which takes the ideas behind STOMP to a symphonic level to mark 40 years of the Brighton Festival. It was also performed at the Sydney Opera House.
• 2007 — STOMP OUT LOUD opened in Las Vegas at Planet Hollywood Resort & Casino with an expanded cast and performed inside a new $28 million theater specifically created for the production.